About Calhi Studios
Calhi Studio is a New Delhi based fine art studio. The studio unites the artistic philosophies of artists Saruha Kilaru and Clay Howard. Their partnership blends a mix of object-based works using 2D and 3D elements of design in various mediums including glass, ceramics, print, fiber, oil, and watercolor. Like the name “Calhi”, which is a portmanteau of California and Delhi, their collaborations signify the confluence of cross-cultural references within each of their artistic practices.
Their work represents a juxtaposition of outward vanity versus inner emotions further highlighting the sporadic and at times schizophrenic nature of modern-day life. While Saruha’s work looks into the intangibility of emotions and its metaphoric representation of colour, Clay’s practice focuses on the superficial and humorous aspects of society and life through exaggerated characters and social satire. The overall effect creates a dynamic between an inner, nuanced visual poetry and the outward portrayal of the absurd and satiric.
Focusing on object-based media, the team creates pieces such as a ceramic magazine rack or a ceramic table with ripples that forms a glass case. These works are conceived to interact with artificial spaces while capturing moments in time through light. The collaboration fuses meaningful stories into physical spaces forming deeper conversations between art and its environment.
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The partners imagine works centered around space and sustainable materials where art extends beyond the canvas. The vision is to build a practice that allows thinking beyond the constraints and limitations of a gallery or museum space. As Clay states, “By mindfully integrating our pieces into the preexisting interior design, we see this project as much more than a commercial venture and we hope for our studio to stand as a symbol of true artistry on all levels.”
The magic of the creations is that every object is a one-off, unique to Calhi’s artistic language and the client’s vision. Saruha continues, “Working with artists, storytellers, and skilled craftsmen, we look to upcycle and alter existing materials, creating new stories by stitching together objects through our own narrative.”
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Clay Howard (Royal College of Art, UK / Art Students League, NY / Lewis and Clark College OR) is a San Francisco Bay Area born painter currently living in London. His satirical paintings reflect contemporary culture, as they expose the absurdity of human behaviour. His display of reptilian cartoon characters, scaly and green, embodies the outer skin humans use to present themselves to society.
His previous experiences include interning at The Aperture Foundation for The Steven A. Baron Work Scholar program in New York and as the lead Graphic Designer for the 10th issue of Beacon Quarterly Magazine in Portland, Oregon. This knowledge has brought an aspect of photographic composition, magazine culture, and storytelling into his visual language.
While traveling in India, he was told by his friends that “Clay’ in Hindi translated to “Slippery Dirt”. Ever since, he has used the pseudonym Slippery Dirt satirically, as a play on his name and as a brand. -
Saruha Kilaru (b. 1998) is a multidisciplinary artist working with glass, printmaking, and material processes. A graduate of the MA Print program at the Royal College of Art, her work explores the mundane through colour theory, repetition, pressure, and perception as poetic and psychological tools. Her sensitivity to colour is central to her meditative practice, which spans textiles, paintings, monoprints, sculptures and installations.
Kilaru has exhibited at Woolwich Contemporary Print Fair 2021, Southwark Park Galleries, and the MP Birla Millennium Gallery in London, in 2022. She has received awards including the High Prize for Artistic Excellence (2022) and the Travers Smith Art Program. In 2024, she co-founded Calhi Studios in Delhi, a collaborative, multidisciplinary space rooted in experimentation and materiality, continuing to grow as a hub for community-led creative practices. In 2025, she was a part of the London Original Print Fair, and Jodhpur Art Week 1.0. In January 2026, her glass sculptures were shown by DHI contemporary as a part of the exhibition “What Remains”.